Lauren Daigle’s stunning ballad, “Rescue,” was given a similarly beautiful music video.
On Saturday, the Grammy Award-winning Christian song singer dropped the breathtaking visuals for the song, which become launched as the second one single off her third studio album, Look Up Child, and as the observe-as much as her go-over hit, “You Say.”
“‘Rescue’ might be the most private tune from Look Up Child,” Daigle, 27, stated in a declaration. “It changed into written for someone very close to me who turned into going through a difficult time. I desired something that might comfort them of their time of want. That’s the reason for the song, to offer hope to folks who feel lost.”
The cinematic tune video turned into filmed over two days on Knik Glacier in Alaska, that can most effective be accessed via jet or airboat as there are not any roads that lead there, in step with Alaska Guide Co.
“We wanted epic scenes, at the same time as additionally being intimate,” said John Gray, the video’s director. “The far-flung surroundings depict a simplicity and splendor that transforms because the song progresses.”
Daigle added: “The landscape is synonymous to the intensity of restoration that could take region where you sense void or empty. When wish arrives in such an expansive manner, it may rescue you.”
The track video opens with Daigle strolling thru a rocky panorama wearing all black as she sings, “I pay attention you whisper beneath your breath/I listen your SOS, your SOS.”
As the tune progresses, the scene opens to an expansive green mountainside surrounded by using snow-capped mountains. In pictures from the video shoot, Daigle can be visible sporting an orange gown with a protracted teach as she stands solitary on ice caps.
Daigle is presently on her “Look Up Child” international excursion, which turned into extended with 19 new stops throughout the U.S. And Europe earlier this year. The excursion, which brings to lifestyles her album Look Up Child, kicked off in Louisiana in April and could conclude with a overall performance in London on Nov. 13.
“The complete point of the virtual song is the chance-loose grazing.”
Cory Doctorow, the Canadian journalist and co-editor and of the off-beat weblog Boing Boing, is an activist in prefer of liberalizing copyright laws and a proponent of the Creative Commons non-income organization dedicated to increasing the range of creative works available for others to build upon legally and to share. Doctorow and others preserve to write prolifically approximately the apocalyptic changes going through Intellectual Property in fashionable and the song enterprise in specific.
In this text, we can discover the cataclysm dealing with U.S. Enterprise through the portal example of the tune enterprise, a simple enterprise in contrast to the ones of automobile or strength. However, within the simplicity of this situation we might also uncover a few training that observes to all industries.
In his web-article, “The Inevitable March of Recorded Music Towards Free,” Michael Arrington tells us that track CD sales keep to plummet alarmingly. “Artists like Prince and Nine Inch Nails are flouting their labels and either giving music away or telling their fans to steal it… Radiohead that is now not managed via their label, Capitol Records, positioned their new virtual album on sale at the Internet for something price humans want to pay for it.” As many others have iterated in recent years, Arrington reminds us that unless effective criminal, technical, or different synthetic impediments to manufacturing may be created, “easy economic principle dictates that the price of music [must] fall to 0 as greater ‘competitors’ (in this situation, listeners who reproduction) enter the marketplace.”
Unless sovereign governments that enroll in the Universal Copyright Convention take drastic measures, such as the proposed obligatory song tax to prop up the industry, there truly exist no financial or legal boundaries to keep the charge of recorded track from falling closer to zero. In reaction, artists and labels will probably return to specializing in other revenue streams which could, and will, be exploited. Specifically, those include live tune, products, and restrained edition bodily copies of their music.
According to writer Stephen J. Dubner, “The smartest element approximately the Rolling Stones underneath Jagger’s management is the band’s workmanlike, company approach to traveling. The economics of father tune encompass principal revenue streams: report sales and touring earnings. Record sales are a) unpredictable, and b) divided up amongst many events. If you discover ways to tour effectively, in the meantime, the income–inclusive of now not most effective ticket income however also corporate sponsorship, t-blouse income, etc.,–can be amazing. You can essentially manipulate how a lot you earn through including greater dates, whereas it is hard to manipulate how many facts you promote.” (“Mick Jagger, Profit Maximizer,” Freakonomics Blog, 26 July 2007).